2018 MOHL Research Awards

The Hatfield Library is pleased to announce the winners of the Mark O. Hatfield Research Award. This award is given for a student paper in any discipline that demonstrates outstanding research using library and information resources. The paper must have been written in the sophomore or junior year as part of regular class work. Up to two awards are given each year and winners receive $500.

The winners for 2018 are:

Kelly Ewing for her paper “Including Indigenous Voices in Water Management: A Comparison of Australian And American Approaches.” (Faculty Supporter: Karen Arabas)

Cole Franko for his paper “Marx and the Mir: A Critical Look at the Evolution of Historical Materialism.” (Faculty Supporter: Bill Smaldone)

Congratulations to Kelly and Cole for their outstanding work!  Also, many thanks to Gretchen Moon, Joni Roberts, and the Hatfield Librarians for serving on the adjudication committee for the award.

Craig Milberg
University Librarian
Mark O. Hatfield Library
Willamette University

 


Hallie Ford Literary Series: Asali Solomon

Please join us for an evening with Asali Solomon on Wednesday, October 3, 2018 at 7:30 PM at the Hatfield Room. Asali Solomon

Asali Solomon is the author of the novel “Disgruntled” and the story collection “Get Down“, which was a finalist for the Hurston/Wright Legacy Award for Debut Fiction and received a Rona Jaffee Foundation Writers Award. In 2007, she was named one of the National Book Foundation’s 5 under 35. Solomon teaches English literature and creative writing at Haverford College.

Contact Information:
Name: Scott Nadelson
Phone: 503-370-6290


Faculty Colloquium: Pamela Moro

Please join us on Friday, September 28th, at 3 p.m. in the Carnegie Building for our third Faculty Colloquium of this semester.

Presenter: Pamela Moro, Professor of Anthropology

Title: Glorious Jollification: Violins, Violin-Playing, and Masculine Social Life in 19th Century California and Nevada

Abstract:

Violins were important objects in the vernacular musical life of the mid- and late-19th century American west. Violin playing was integral to sociality and the work environment of the gold- and silver-rush mining camps of Northern California and Nevada, contexts shaped by masculinity and race. This study pays particular attention to the memoirs and archival papers of miner, journalist, and amateur violinist Alfred Doten. Doten’s writings reveal vernacular violin playing in relation to masculinity and violins as sentiment-laden material culture.

Before presenting my research paper, I will briefly introduce my forthcoming book (Violins: Local Meanings, Globalized Sounds) and talk about my professional career as an anthropologist with a specialization in ethnomusicology. Students are welcome and coffee and treats will be provided. We look forward to seeing you there.

Note there will also be a special TGIF reception following the lecture that will be open to faculty from all three schools. We will have three TGIF events each semester with Colloquium speakers from across the University. These opportunities for cross-University gathering and conversation are sponsored by the Office of the Provost and Senior Vice President. Please join us and watch for a message next week with other TGIF dates.

Bill Kelm and Daniel Rouslin
Faculty Colloquium Coordinators


Faculty Colloquium: Michael Marks

Please join us Friday, September 21st, at 3 p.m. in the Alumni Lounge for our second Faculty Colloquium of this semester.

Presenter: Michael Marks, Professor of Politics

Title: Small States and Middle Powers: Metaphors of Size and Position in International Relations

Abstract:

Metaphors of power are at the core of the study of international relations. Power represents the idea that humans have the ability to translate agreement into action through the
harnessing of material means. Power is not the essence of the material world nor material resources themselves. It is a metaphor for the intangible qualities of persuasion that give material resources their force. This presentation examines the metaphorical notions of size and position as two ways in which power is conceptualized in international relations. For theoretical purposes, the debate between the metaphorical position of states relative to each other and their size revolves around the role power is thought to play in shaping outcomes. Approaches that conceive of states metaphorically as “big” or “small” are less prone to hypothesize changes in size as major sources of instability in international relations than approaches which conceive of states altering their position “on top,” “in the middle,” or “at the bottom” of a hierarchically ordered arrangement of states.

Students are welcome and coffee and treats will be provided. We look forward to seeing you there.

Bill Kelm and Daniel Rouslin
Faculty Colloquium Coordinators


Wittenberg to Willamette

From Wittenberg to Willamette:  Unlocking the Secrets of a Rare Book from the Hatfield Library’s Vault.

By Doreen Simonsen
Humanities, Fine Arts, and Rare Book Librarian

Cover of the 1599 Vulgate

Researching a Rare Book is often like a treasure hunt.  The Mark O. Hatfield Library has hundreds of rare books ranging from medieval manuscripts to 20th century first editions, and my study of one of these works, a Latin Bible entitled Biblia Sacra, proves that you really cannot judge a book by its cover.

It all started with Martin Luther.  His actions in Wittenberg inspired the leaders of the Counter Reformation to revise their version of the Bible.  With the endorsement of Pope Clement the Sixth (1592 to 1605) and the Council of Trent (1545 – 1563), the Clementine Vulgate Bible was printed widely throughout Europe.  Our library catalog record for this book notes that our copy was published in Antwerp, Belgium at the Plantin Moretus Printing House in 1599.  According to records from that printing house, Jan Moretus shipped 500 unbound copies of this book, Biblia Sacra, to Germany to be sold at the famous Frankfurt Book Fair in the Fall of 1599.  The books in that shipment were missing a quire, (a section) of the book, and our copy has missing pages, which were replaced with handwritten copies of the missing texts.  But who wrote those handwritten pages?  And who bound this book?

Missing Pages from 1599 Vulgate

In the Renaissance and Reformation, books were sold unbound, and the buyers of those texts would have them bound by professional bookbinders.  Thanks to Luther’s nailing his 95 Theses to the door of the cathedral in Wittenberg in 1517, that city became a center of book publishing and bookbinding.  By 1555 Wittenberg had a guild of 50 bookbinders, who engraved metal plates and rolls to decorate the leather book covers they made. The cover on our bible is embellished with images, borders, Latin quotes, the initials CKW and the date 1562.  CKW turned out to be Caspar Kraft of Wittemberg, a prominent bookbinder in that city in northern Germany.  The images on his 1562 plates are of Justicia and Lucretia, images “that Lutherans used to justify their resistance to imperial [and papal] authority.”1

Around these images are decorative borders made by bookbinding rolls, which were made by Hans Herolt of Würzburg, in southern Germany.  Who hired Herolt to bind this book?  Julius Echter von Mespelbruun, the Prince-Bishop of Würzburg from 1573 – 1617, is the most likely candidate.  A Latin inscription in the books states that “Magister Wolfgang Christoph Röner received (this book) due to the generosity of the most reverend and most holy Prince-Bishop of Würzburg.”  Another inscription is by Andreas Weissens…, a theology student, who might be the person who wrote in the missing pages in this bible.

Theology Student Inscription

The most prominent inscription, however, is that of Dr. Charles H. Hall who gave this book to Willamette University in 1875.  Born in Kentucky, Hall studied Classics at Indiana Ashbury College in 1852, taught Latin, Greek, and Natural Sciences at Willamette University in the late 1850s, and became the son-in-law of Alvan Waller in 1859.

How this Latin Catholic Bible with Lutheran images on the bindings traveled from Germany to America is a mystery that may never be solved, but revealing its secrets shows that rare books can be more than old texts with pretty pictures.  They are artifacts worthy of study in their own right that can illuminate historical controversies and engage curious student researchers here at Willamette University.  A rare book can truly be much more than its cover.

 

“Closeup of the CKW 1562 book
plate stamp made by Caspar
Kraft of Wittenburg, Germany”
“Emblem of the Plantin Moretus
Printing House, Antwerp, Belgium”
“Closeup of the book border rolls
made by Hans Herolt of
Würzburg, Germany”
“Inscriptions, Including Charles Hall’s
Donation to Willamette, 1876″

 

1 Zapalac, Kristin Eldyss Sorensen. In His Image and Likeness : Political Iconography and Religious Change in Regensburg, 1500-1600. Cornell University Press, 1990. Page 128.

 


Ode to Wilderness

There’s nothing quite like a walk on the beach, the view from a mountain top, the sound of a waterfall, the sight of a creature in the wild…  For many of us, spending time surrounded by nature is inspirational, restorative, and almost a necessity for our mental and spiritual health.  Our deep connection to nature comes with an obligation to safeguard it for the future.  President Obama said it best:

It is one of our greatest responsibilities as citizens of this Nation and stewards of this planet to protect these outdoor spaces of incomparable beauty and to ensure that this powerful inheritance is passed on to future generations.

The library is pleased to celebrate National Wilderness Month; September is a particularly beautiful time in the Northwest, so pack a lunch, put on your boots, and take a hike!  And don’t forget to take one of the wilderness-related books listed on our WU Reads Reading Guide to enjoy on your lunch break!


Make an Appointment with the Archives

Curious to know what treasures are stored in Willamette University’s Archives and Special Collections? Need a research topic for a class? Want to explore what student life at Willamette was like 150 years ago?
WU memorabilia
Archives and Special Collections, on the 2nd floor of the Hatfield Library, collects material related to the history and administration of Willamette University, political papers of alums and Oregon’s 5th congressional district, the papers of artists from the Pacific Northwest, and papers related to local individuals and organizations with ties to Willamette.

Appointments are available Monday through Friday from 9 am to noon and from 1 pm to 4 pm. Please e-mail archives@willamette.edu to make an appointment.


Faculty Colloquium: Dan Rouslin

Please join us Friday, September 7th, at 3 p.m. in Fine Arts West 133 for our first Faculty Colloquium of this semester.

Presenter: Dan Rouslin, Professor of Music

Title: Coming Full Circle

Abstract:

Professor of Music, Dan Rouslin, known to his students affectionately as “DR,” discusses how his life in music was formed and the special role the Mendelssohn Violin Concerto in E Minor played in its development as he prepares to perform it with orchestra on September 9 at the start of his final year at Willamette.Dan Rouslin

One of DR’s early milestones was the winning of the concerto competition as a high school senior at the National Music Camp in Interlochen, Michigan. As a winner, he performed the Mendelssohn with the National High School Symphony Orchestra, which consisted of some of the most highly skilled young musicians from all over the United States. However winners were only allowed to perform single movements, and DR has, until now, never performed the entire three-movement work.

The 1843 Concerto in E Minor, Opus 64 for Violin and Orchestra by German composer Felix Mendelssohn-Bartholdy, is one of the central works in the classical violin repertoire, and an important work in the development of Romantic music in Europe during the 1830’s and 40’s. Mendelssohn broke with the classical models of Mozart, Haydn, and early Beethoven by eliminating much of the sense of clearly delineated sections, while retaining other elements of classical form. Even the notion of separate movements, which correspond to chapters in a novel, or acts in a play, starts to blur as the composer links movements I and II with a transition rather than separating them with a traditional pause.

DR will discuss this work in some detail, and also relate it to his own decision to become a musician. He hopes that many of you will be able to attend his live performance of the work two days after the colloquium in Hudson Hall at 3 p.m.

Students are welcome and coffee and treats will be provided. We look forward to seeing you there.

Bill Kelm and Daniel Rouslin
Faculty Colloquium Coordinators


New Art in Archives

We recently added a few works of art that are on display in the Archives. Four artists represent this collection of art, and their works range from the year 1946 to 1996 circa.  These artworks are on loan from the Hallie Ford Museum of Art at Willamette University.  To view the art, please visit the Archives and Special Collections between the hours of 9 a.m. to Noon and 1 p.m. and 4 p.m.

 

Image of Art: The Dance, 1946 Artist: Carl A. Hall

Title: The Dance

Date: 1946

Medium: Oil on Canvas

Image of Art: Not by a dam site, 1959 Artists: Eunice Parsons

Title: Not a Dam Site

Date: 1959

Medium: Oil on canvas

Image of Art: Untitled horsemen, 1964 Artist: Eunice Parsons

Title: Untitled

Date: 1964

Medium: Collage on
canvas panel

Image of Art: Clover Small Vetch Seed Pods and Horsetails, 1996  

Artist: Stephan Soihl

Title: Clover, Small Vetch
Seed Pods, and Horsetails

Date:1996

Medium: Charcoal pencil
and watercolor

Image of art: ColburnJon Night Play, 2003  

 

Artist: Jon Colburn

Title: Night Play

Date: 2003

Medium: Acrylic on canvas

 

 

For comments and questions about this art, please contact Mary McRobinson (mmcrobin@willamette.edu), University Archivist at Willamette University, and Jonathan Bucci (jbucci@willamette.edu), Curator of Collections and Exhibitions at the Hallie Ford Museum of Art at Willamette University.


12×16 Gallery Records

In 2005 seven artists came together to open an art gallery in Portland, Oregon named 12×16 after its first location on 1216 SE Division Street. Its inaugural show consisted of a smattering of collage, photography, mixed media, and paintings from its seven artists: Cary Doucette, Eunice Parsons, Luke Dolkas, Maureen Herndon, Israel Hughes, Lee Ann Slawson, and Edward Story. 12×16 Gallery would go on for twelve more years, hosting a number of shows each month and eventually expanding to a larger space in the historic southeast Portland district of Sellwood. It featured the works of its gallery members as well as artwork from guest artists from across the Pacific Northwest area. Known for its modest and reasonable prices, the collective gallery would become a launching pad for young collectors and space for local artists to help one another. After these successful contributions, the 12×16 Gallery’s last show was in December 2017, closing that same year.

The 12×16 Gallery records cover the years 1997 through 2018 and feature promotional postcards and brochures, Myron Filene’s documentary photographs of the gallery, and an archived version of the website. The collection contains the 12×16 Gallery’s administrative files such as insurance and lease information, business registration forms, meeting notes, price lists, and artist statements from exhibitions. Also included are folders on specific artists, such as Cary Doucette, Serena Barton, Israel Hughes, Ray Keller, Beate Scheller, and others. The rest of the collection consists of a scrapbook with newspaper clippings and 12×16 Gallery promotional postcards and brochures, employee log books from December 2005 to December 2017, and the gallery visitors’ books from December 2005 to December 2017.

The 12×16 Gallery records were processed by Ivy Major-McDowall ’18. A special thank you to Sybil Westenhouse for investing in experiential learning through the Sybil Westenhouse Archives Excellence Fund.

For more information on the 12×16 Gallery and its records, please see the finding aid.


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